Art Director, Designer & Artist


This is the most recent work by California base artist and graphic designer Dustin Ortiz.

The 2016 YES. 2020

I had the chance again to design some boards for the new 2016 Yes. Snowboards line. I'm gonna start out by bragging about this one, the 2020. Created by genius and snowboard legend Alex Warburton and the graphic done by yours truly. I'm really proud to be apart of this one.

The outline is unique. A wide, short twin with nose and tail shapes that look more like a wake or kiteboard than a snowboard. But tilt that 2 dimensional view and you see why it’s the 3D perspective that really defines this board. Deep, pronounced concaves dominate both ends of the base and are the secret to its twin floatation prowess.On hard-pack it’s just a short, wide, super fun twin.

More info HERE


The 3D Powder Hull starts with a base profile that combines 2 distinct rocker lines that, when blended together, create a pronounced base concave in the nose and tail. The centerline is fully rockered starting from the insert packs, all the way to the tips of the bluntly shaped nose and tail. Out at the contact edges, is a more conventional base profile that we use on many of our other boards. The resultant concave across the nose and tail acts differently at the leading end of the board than it does at the trailing end when riding in deep snow. At the leading end (nose), the concave draws air under the board – just as a concave spoon-nose does on longboards in the surf – causing lift and floatation. As the snow moves across the base it releases off the tail and the exaggerated rocker line along the center, causes the tail to drop downward. So even though it’s a perfectly balanced twin, the board rides through deep snow with the same pitch, or planing angle, that we get with directional shapes and set-back stances.On hard-pack it’s just a short, wide, super fun twin.